I'm a documentary filmmaker in New Orleans. For more than twenty years I've made non-scripted television, documentaries, and independent films — for A&E, Discovery, National Geographic, and others. I co-founded Timecode, a nonprofit film organization, and I build tools for field production.
At the Lake of the Ozarks, a quiet community transforms into one of America's busiest vacation destinations, challenging the law enforcement officers who keep order on the water, the roads, and everywhere in between.
Over five intense days, an unfiltered look inside America's toughest jails — where officers are outnumbered, cellblocks are overcrowded, and violence erupts without warning.
A remote Alaskan community where a handful of people have left the modern world behind, and survival depends on the land, the sea, and each other.
Cowboys and ranchers rely on their deep knowledge of the land to search for prehistoric dinosaur fossils — from T. rexes and Triceratops to rare and disputed species.
A foot specialist treats patients with some of the most extreme foot conditions.
Hourlong episodes follow emergency responders in New Orleans who work the busy, unpredictable 8 p.m. to 4 a.m. shift, battling time and circumstances while attempting to save lives.
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Timecode screens independent and experimental film, runs the Timecode Film Festival, the One Reel Super 8 Contest, and the Joint Picture Project, has produced seven seasons of its broadcast series, and publishes two podcasts, Timecode Presents and Timecode: Dead Air.
Hot Sheet builds the daily report during the shoot day instead of after it. Notes are timecode-stamped as they're taken, stories graded, releases tracked; at wrap it exports as PDF, Word, or RTF and goes to the distribution list. Works offline. Built by a working field producer.
